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This Yui Shin Kai open hand system forms
part of the Ryukyu Kobujutsu approach and the Ryukyu Kobujutsu
approach forms part of the Yui Shin Kai Karate approach. The
overlaps and affinities are many and it was Sensei Inoue's vision
that both are necessary and interlinked and should be studied
in conjunction to fully understand his vision and form part
of the complete approach of Bujutsu |
The style was created by Sensei Motokatsu Inoue and the name Yui
Shin Kai is interpreted as "in the pursuit of the understanding
of Budo, only the heart, spirit and mind exist".The name originated
from the founder of the style, Seiko Fujita (1898-1966) the last
true Ninja and headmaster of the Koga Ninjitsu Ryu.
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He was the watchful guardian of Motokatsu
Inoue (Julian Mead's teacher) from childhood. Seiko Fujita
gave Inoue Sensei permission in 1948 to open a dojo in Shimizu
City and named the style, also creating the calligraphy which
forms the style's logo. |
In addition to the aforementioned Inoue Sensei trained with Choki
Motobu, a close friend of Yasuhiro Konishi, renowned for his kumite
and study of Naihanchi Kata. This is reflected in the system.
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In addition to the kata and bunkai the
system also includes many aspects of Seiko Fujita's close quarter
training. He felt Karate too linear and Akido too circular and
his training drills reflect the principles of Nan Ban Sato Ryu.
The system also incorporates many elements of Sensei Shioda's
Akido. Fujita felt his approach to be more practical and relevant
to actual applications and this was integrated into the Yui
Shin Kai approach |
The system follows strongly the three principles of Japanese Bujutsu;
Kihon, Kata and Kumite. It systematically teaches the building blocks
of Waza (technique), followed by the usage approach of Genri (principles).
This builds the necessity of Heiho (strategy) and builds the character
for Seishin (spirit) and Kokoro (heart). The principles of strategy
(Sen no Sen, Go no Sen and Tai no Sen) form an important part of
the approach in Yui Shin Kai Karate Jutsu.
The syllabus starts with Shuri Te and from Shodan commences the
practise of Naha Te. This is paramount to the evolution of the student
from long distance waza to shorter more powerful internal technique.
Yui Shin Kai embodies the necessity of Tai Sabaki (body movement)
but recognises the training needed to hold the line.
Knife work (Tanto and Hamno dori) is introduced from Shodan and
combined with the Kobujutsu training the realisation of bunkai that
works is evident.
Kumite forms a strong part of training and the traditional approach
in Japan did not hinder the success of students when they entered
open competitions. This ability to walk both floors of fighting
is a clear indicator of the style content being relevant to the
building of the qualities needed to be a student of Bujutsu and
the adaptability needed to be successful.
The Yui Shin Kai Kata
Translated as form kata embodies the strengths from Kihon and builds
the combination and understanding of Bunkai translated as analysis
of movement and its meaning. It makes you aware of its purpose and
why the movement is necessary within the kata. Its Embu-Sen or kata
line is traditionally 90 degree and 45 degree angles. I have listed
the most common kata broken down into the styles. Many of the kata
have more than one name due to style identity and character interpretation.
| Shuri Kata |
Tomari Kata |
Naha Kata |
Aragaki Kata |
| Pinan Nidan |
Jitte |
Sanchin |
Niseishi |
| Pinan Shodan |
Jiin |
Tensho |
Sochin |
| Pinan Sandan |
Jion |
Seienchin |
Unsu |
| Pinan Yondan |
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Saifa |
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| Pinan Godan |
Rohai Shodan |
Seipai |
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| Naihanchi Shodan |
Rohai Nidan |
Seisan |
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| Naihanchi Nidan |
Rohai Sandan |
Shisochin |
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| Naihanchi Sandan |
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Sanseiru |
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| Koshiki Naihanchi |
Itosu no Wanshu |
Kururunfa |
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| Kushanko Dai |
Chinte |
Suparinpei |
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| Kushanko Sho |
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| Passai Dai |
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| Passai Sho |
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| Shoto no Wanshu |
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| Chinto |
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| Seisan |
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| Gojushiho |
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In addition to the above there are different ways of doing many
of the kata and they are commonly identified with a teachers name
preceding it. Passai and Kushanku have the most kata styles. A further
list allows you to see how many adaptations there are and how many
other kata ther are to be practiced. This is not complete as there
are others but with the old traditionalists suspicion has been cast
on many kata that have suddenly materialised in the last 30 years.
| Matsumura Passai |
Chatanyara no Kushanku |
Wankan |
| Tawata no Passai |
Uehara no Koshokun |
Seiryu |
| Sakuma no Passai |
Chibana no Koshokun |
Shinpa |
| Shoto no Passai Dai |
Shiho Kushanku |
Ananko |
| Shoto no Passai Sho |
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Wansu |
| Koshiki no Passai |
Matsumura no Rohai |
Uechi no Seisan |
| Kyan no Passai |
Motobu Naihanchin |
Seiru |
| Ishimine no Passai |
Kyan Chinto |
Oshiro no Seisan |
| Oyatomari no Passai |
Matsumura Seisan |
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| Motobu no Passai |
Taisabaki 1/2/3 |
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| Matsumura (Tomari) no Passai |
Taikyoku 1/2/3 |
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Some kata are called a different name, some of the common variants
being:
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- Pinan - also called Heian and taught often in a different
order. Some styles start with Pinan (Heian) Nidan first
and others with Shodan first. Nidan is translated as two
and Shodan one, so the approach has some merit.
- Naihanchi - also called Naihanchin from the style and
Tekki commonly used in Nihon Karate Kyokai (Shotokan) and
named by Gichin Funakoshi.
- Kushanku - also called Kanku and Kosoken/Koshokun
- Passai - also known as Bassai
- Shoto Wanshu - also known as Empi
- Chinto - also known as Gankaku
- Seisan - also known as Hangetsu
- Jitte - also known as Jutte
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The Yui Shin Kai Karate system was developed around four
main influences:
- Seiko Fujita (1898-1966)
Koga Ninjitsu
- Yasuhiro Konishi (1893- 1982)
Ryobu Kai Karate Jutsu
- Shinken Taira (1898-1970)
Ryukyu Kobujutsu
- Gozo Shioda (1915- 1994)
Ueshiba Akido.
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The style is unique in that it still retains all the traditional
qualities of Bujutsu where everything including Jujitsu
and Shuriken Justu were taught to the students. This is
in contrast to the segregated teachings found commonly today
where you have to attend different dojo to acquire different
skills.
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The system follows strongly the three principles of Japanese
Bujutsu;
Kihon, Kata and Kumite
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Yui Shin Kai Karate embodies the philosophy of Sensei Motokatsu
Inoue in that students must be of good character, respectful,
modest, hardworking, adaptable, resourceful and able to
improvise. They must persevere and know frustration and
understand through diligence and the right way that good
students will be realised.
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The style of Yui Shin Kai Karate has spread all over the
world to countries which include South Africa, Sweden, Finland,
Australia, America and now, under the guidance of Julian
Mead - the United Kingdom.
Karate training is often combined with Ryukyu Kobjutsu
on the courses and seminars held by the Association.
Sensei Mead also provides regular instruction to the established
Yui Shin Kai Karate Club in Surrey, United Kingdom, where
new students are always welcome. For full details please
see Club & Membership.
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